Dan Rubin – Creativity, design and interaction with HTML5 and CSS3
HTML5 and CSS3 are the newest stars of the web: the cornerstones of progressive enhancement, the future of online video, the easiest way to build web applications for desktop and mobile devices, and a brilliant foundation upon which we can add complex interaction and animation layers with javascript and Canvas; happily — thanks to much-improved browser support — we can now use them. In this session, Dan Rubin will show you who’s already taking advantage of these latest additions to our toolbox, what this means for interface designers, and how you can bring the same techniques to your projects.
Andy Clarke’s 
This session will be a solid introduction to CSS3 by way of practical examples that can get you started using CSS3 on your projects today.
In the summer of ‘07 in a flood-soaked Oxford, England, Elliot appeared on stage for the very first time. His presentation, ‘Progressive Enhancement & Intentional Degradation’, looked at how to reward modern browsers with the latest CSS tricks and punish IE by dropping certain site features. Over two years later, what has changed? We’re starting to see the ideology of progressive enhancement — especially with CSS3 — spread throughout the web design community, but more work needs to be done.
With the proliferation and widespread adoption of JavaScript frameworks, smart developers have wondered if a similar approach to smoothing over the rough spots of CSS might work. Thus, CSS frameworks like Blueprint, YUI Library CSS Tools, Boilerplate, and many others were born. In this session, we will survey the landscape of CSS frameworks and consider how each of them deals with the unique challenge of creating generalised, reusable CSS styles.
Being a CSS expert is about more than just memorizing selectors. It’s also about working to improve the maintainability and efficiency of your style sheets, planning for the future, and mastering your workflow. This session will look at pushing the limits of CSS to create stunning interfaces using clean, meaningful markup. We’ll also look at CSS 3 and at what the future of Web design could look like when CSS 3 finally becomes mainstream.
Even in our day of web videos and podcasts, text is still the king of content on the web. Great typographic sensitivity is one of the hallmarks of sites that exude a professional confidence. From type sizing and coloring to leading, kerning, and measures to proper usage of quotes, dashes, and bullets, to choosing appropriate typefaces, this session will demonstrate using CSS and other modern web technologies to display type on screen with elegance and impact.
So you’ve designed a fantastic website for your client, tested in all the major browsers and everything looks great. Now they want to send an email newsletter to all their customers, using the new design.
Forms. We all have to make ‘em, but few of us love ‘em. Aaron Gustafson believes that this is because we don’t understand them. In this session, we will explore forms from top to bottom, examining how they work and how their components can be incorporated with other elements to maximize accessibility, improve semantics, and allow for more flexible styling. You’ll get to see the complete picture with forms, including error, warning and formatting messages, styling and its implications, as well as best practices for manipulation with Javascript and Ajax.
CSS level 2 became a standard in 1998. The last revision of HTML4 dates from 1999. That’s long time ago in Web years, but they aren’t forgotten: after several years of work, CSS is close to a revision and browser support is better than ever. It’s necessary, because CSS needs to grow: vertical text, columns, print support, complex layouts and much more is increasingly demanded. Likewise, there is a big effort to revise HTML. Interest is so high, the W3C is trying a new process, to let more people participate in the editing work. There are also new forms, standards for combining SVG and HTML and new work on the security of forms. Bert’s here to tell us: we haven’t seen the end of the Web page yet.